Wednesday, 28 July 2021

Bill Haley--Frank Sinatra--Rosa Ponselli & Giovanni Martinelli--Robert Earl--Liberace--Tex Ritter


Its High Noon In The Purple Castle With The Saints Rocking as Mr Green's Aida gives Her True Blessings More Love Under An Umbrella !

1. The Saints Rock'n Roll......Bill Haley
2. Rock......Bill Haley
3. Mean To Me......Frank Sinatra
4. It All Came True.....Frank Sinatra
5. O Terra Addio ( Farewell O Earth) 1......Rosa Ponselle & Giovanni Martinelli
6. O Terra Addio ( Farewell O Earth) 2......Rosa Ponselle & Giovanni Martinelli
7. More......Robert Earl
8. Your Home Can Be A Castle......Robert Earl
9. Deep Purple......Liberace
10. We All Need Love......Liberace
11. High Noon......Tex Ritter
12. There Shall Be Showers Of Blessings


William John Clifton Haley ( July 6, 1925 – February 9, 1981) was a pioneering American rock and roll musician. He is credited by many with first popularizing this form of music in the early 1950s with his group Bill Haley & His Comets and million-selling hits such as "Rock Around the Clock", "See You Later, Alligator", "Shake, Rattle and Roll", "Rocket 88", "Skinny Minnie", and "Razzle Dazzle". His recordings have sold over 60 million records worldwide.
In 1954, Haley recorded "Rock Around the Clock". Initially, it was relatively successful, peaking at number 23 on the Billboard pop singles chart and staying on the charts for a few weeks. On re-release, the record reached #1 on July 9, 1955.
When "Rock Around the Clock" appeared as the theme song of the 1955 film Blackboard Jungle starring Glenn Ford, it soared to the top of the American Billboard chart for eight weeks. The single is commonly used as a convenient line of demarcation between the "rock era" and the music industry that preceded it. 


Robert Earl (born Monty Leigh, 17 November 1926) was an English singer of traditional pop music in the United Kingdom in the 1950s and 1960s, whose style was operatic, like fellow crooners David Whitfield, David Hughes and Edmund Hockridge. He is the father of the businessman Robert Earl.
He began his singing career at local functions around London's East End, and soon progressed to singing with some of the top big bands of the day such as those of Sidney Lipton, Nat Temple and Van Straten. In 1953, he auditioned for Norman Newell of Philips Records and was offered a recording contract.He enjoyed three chart hits during this period, while signed to Philips: "I May Never Pass This Way Again" (#14) and "More Than Ever" ("Come prima") (#26) in 1958 and "The Wonderful Secret of Love" (#17) in 1959.


Rosa Melba Ponzillo, known as Rosa Ponselle (January 22, 1897 – May 25, 1981) was an American operatic soprano.She sang mainly at the New York Metropolitan Opera and is generally considered to have been one of the greatest sopranos of the 20th Century.

Giovanni Martinelli (22 October 1885 – 2 February 1969) was an Italian operatic tenor. He was associated with the Italian lyric-dramatic repertory, although he performed French operatic roles to great acclaim as well. Martinelli was one of the most famous tenors of the 20th century, enjoying a long career at the Metropolitan Opera in New York City and appearing at other major international theatres.


Władziu Valentino Liberace (May 16, 1919 – February 4, 1987) was an American pianist, singer, and actor. A child prodigy born in Wisconsin to parents of Italian and Polish origin, Liberace enjoyed a career spanning four decades of concerts, recordings, television, motion pictures, and endorsements. At the height of his fame from the 1950s to 1970s, Liberace was the highest-paid entertainer in the world with established concert residencies in Las Vegas and an international touring schedule. Liberace embraced a lifestyle of flamboyant excess both on and off stage, earning the nickname "Mr. Showmanship".
Between 1942 and 1944, Liberace moved away from straight classical performance and reinvented his act to one featuring "pop with a bit of classics" or as he also called it "classical music with the boring parts left out". In 1943, he began to appear in Soundies (the 1940s precursor to music videos). He recreated two flashy numbers from his nightclub act, the standards "Tiger Rag" and "Twelfth Street Rag". In these films, he was billed as Walter Liberace.
From 1947 to 1951, he recorded 10 discs. By 1954, it jumped to nearly 70. He released several recordings through Columbia Records including Liberace by Candlelight (later on Dot and through direct television advertising) and sold over 400,000 albums by 1954. His most popular single was "Ave Maria", selling over 300,000 copies.
His albums included pop standards of the time, such as "Hello, Dolly!", and also included his interpretations of the classical piano repertoire such as Chopin and Liszt, although many fans of classical music widely criticized them (as well as Liberace's skills as a pianist in general) for being "pure fluff with minimal musicianship". In his life, he received six gold records.
In 1956, Liberace had his first international engagement, playing successfully in Havana, Cuba. He followed up with a European tour later that year.... In 1960, Liberace performed at the London Palladium with Nat King Cole and Sammy Davis, Jr. (this was the first televised "command performance", now known as the Royal Variety Performance, for Queen Elizabeth II).
        11. High Noon

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