Mixed Bag !!....an Organ...Skiffle...an Orchestra...and Minstrels Crooner at the beginning and Crooner at the end !!
1. Tenderly......Nat King Cole
2. Why......Nat King Cole
3. Me And My Shadow......Phil Ohman & Victor Arden & Their Orchestra
4. Broken Hearted......Phil Ohman & Victor Arden & Their Orchestra
5. Dixonland No4..Part 1......Reginald Dixon
6. Dixonland No 4..Part 2......Reginald Dixon
7. Don't You Rock Me Daddy-O......The Vipers Skiffle Group
8. 10,0000 Years Ago......The Vipers Skiffle Group
9. Abide With Me. Part 1.....Kentucky Minstrels
10. Abide With Me.Part 2......Kentucky Minstrels
11. I'm Confessing.....Perry Como
12. I'll Always Be With You......Perry Como
Phil Ohman (October 7, 1896 – August 8, 1954) was an American film composer and pianist.He is remembered as being one half of one of the pre-eminent piano duos in the 1922-1932, paired with Victor Arden. They were the pit pianists in many of George Gershwin's musicals, and recorded hundreds of piano rolls and records. Starting in mid 1927, just as they signed to Victor Records, they developed a large studio orchestra specializing in Broadway show songs that became quite popular. These particular records employed a rather large, brassy powerful sound (it is not known who they used as arranger), always with a space for a twin piano duet section.
Victor Arden was the stage name for an American pianist named Lewis John Fuiks (8 March 1893 — 31 July 1962) who was best known as the piano duo partner of and co-orchestra leader with Phil Ohman from 1922 to 1932. He was the pianist in the All-Star Trio, who made several hits for Victor Records between 1919 and 1921.
Reginald Herbert Dixon, MBE, ARCM (16 October 1904 – 9 May 1985) was an English theatre organist who was primarily known for his position as organist at the Tower Ballroom, Blackpool, a position he held from March 1930 until March 1970. He made and sold more recordings than any other organist before him, or since. He was in high demand throughout the 1930s, 40s, 50s, 60s and 70s. During his fifty-year career he was one of the top-selling artists, his prolific output ranking alongside that of Victor Silvester and Bing Crosby.
Between 1932 and 1958, Reginald Dixon released some 296 records on 78rpm discs.
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The Vipers Skiffle Group – later known simply as The Vipers – were one of the leading British groups during the skiffle period of the mid to late 1950s, and were important in the careers of radio and television presenter Wally Whyton, coffee bar manager Johnny Martyn, wire salesman Jean Van den Bosch, instrument repairer Tony Tolhurst, journalist John Pilgrim, record producer George Martin, and several members of The Shadows.The group formed in the spring of 1956 in central London, originally as a trio of singer-guitarists comprising Whyton, Johnny Martyn (born John Martyn Booker, 1934–2007), and Jean Van den Bosch, who was replaced in 1958 by Freddy Lloyd. Later that summer they added a rhythm section, Tony Tolhurst (bass) and John Pilgrim (washboard), and took up residency at the renowned Soho music venue, the 2i's Coffee Bar. There, they sometimes jammed with jazz musician Mike Pratt and singer Tommy Hicks, later known as Tommy Steele. In September 1956 they were offered an audition with George Martin at Parlophone Records, and won a recording contract.
Their second single, "Don't You Rock Me Daddy-O", produced by Martin, reached number 10 in the UK Singles Chart in early 1957.
Doris Arnold was born on November 4, 1904 in Wimbledon, Surrey, England, UK. She is known for The Kentucky Minstrels (1948), Looking In (1933) and Sunshine Ahead (1936).
The Kentucky Minstrels was a popular series of BBC radio programmes broadcast regularly in Britain between 1933 and 1950. Despite the fact that the show could only be heard and not seen, it retained the conventional format of minstrel shows, with a "white" compere or "Interlocutor", and "black" comedy "end men" and entertainers.
The popularity of the show led to a film in 1934, Kentucky Minstrels.
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